Season 1 · Episode 40
Violetta
A musically-talented teenager returns to her native Buenos Aires after living in Europe.

Used to express impatience or urge someone to stop hesitating and act. The literal reading 'of one time' gives no signal of this pragmatic force. Very frequent in Argentine everyday speech.
Argentine reflexive construction using 'hacerse' + feminine article + adjective/noun to mean 'to play a role' or 'to pretend to be'. 'No te hagas la buena' literally says 'don't make yourself the good one' but means 'don't pretend to be good/innocent'. The feminine 'la' tracks the gender of the person addressed here.
Critical false friend zone: looks like it could mean 'to give an account' but it means to realise or notice something. Extremely frequent in Argentine speech across all registers.
Superlative intensifier built on the adjective 'top' (borrowed from English), very common in Argentine youth speech to express enthusiastic approval. The suffix -ísimo pushes an already informal English loan into hyperbolic territory.
Refers to entering a place without paying or being invited, bypassing normal access. Non-compositional: the literal verb 'colar' (to strain/filter) gives no hint of this meaning.
In Argentine usage, 'mandarse' often implies throwing yourself into something with determination or boldness. 'Mandarse al estreno' means to just go ahead and do the show. The reflexive adds a layer of personal commitment that a literal reading ('to send oneself') does not capture.
Fixed intensified phrase. 'Darle vueltas' alone means to turn something over in your mind, but 'mil y una vueltas' signals excessive, paralysing rumination. Idiomatic because 'vueltas' (turns/spins) does not literally mean thoughts.
Means to deliberately remind someone of their failure or your advantage in an insensitive way. Non-compositional: 'restregar' (to scrub/rub) combined with 'por la cara' (across the face) produces a figurative meaning of taunting.
While the phrase exists in other varieties, in this dialogue it is used with exaggerated emotional rhetoric typical of Argentine telenovela register, often deployed as pressure or guilt-tripping rather than a neutral description of sadness.