Season 1 · Episode 2
Veneno
Thrilled to be the star of Valeria’s book, Cristina dives into a dynamic retelling of her life story - but as Valeria digs into Cristina’s childhood in Adra, where she lived as “Joselito,” painful memories resurface. As Cristina recounts relentless abuse from her mother and neighborhood, she inspires Valeria to open up to her own family about her transition.

One of the most common casual terms of address. In this dialogue 'tío' also appears in its literal sense of 'uncle', so context distinguishes the two meanings.
Used as a standalone exclamation after a statement to underline or confirm it, roughly equivalent to 'I'm telling you!' or 'exactly!'. Not to be confused with its standard meaning as first-person present of 'decir'.
Widely used as a warm or casual term of address between women or from a woman to another person. Can signal affection or a light reproach depending on tone.
Extremely common affectionate address used between friends, family members, and acquaintances. Does not imply romantic interest and can be used even with strangers in informal contexts.
Used as a filler address between speakers, especially men. Does not carry the English meaning of 'macho' as aggressive masculinity in this conversational register.
Fixed phrase expressing indifference or equivalence. 'Me da igual' is extremely common and more dismissive than a simple 'no importa'.
Regional affectionate diminutive of 'bonito', used warmly and without irony. Very characteristic of certain southern and eastern varieties of Castilian.
Standard colloquial term for flirting or successfully attracting a romantic or sexual partner. Not vulgar, though it implies a casual or opportunistic approach.
'Me tienes negra' means 'you've got me completely fed up' or 'you're driving me mad'. 'Negra' here functions as a colloquial intensifier of exasperation, not a racial reference.
A vulgar intensified version of 'hincharse' (to stuff oneself). Replaces a body part word as an emphatic filler. Used here to express the intention to eat a great deal. The vulgar element adds comic force rather than literal meaning.
Context determines meaning: when referring to sexual desire it is direct and vulgar; when describing someone acting goofy it shifts to colloquial. The dialogue uses it in the sexual sense.
Fixed exclamatory phrase reacting to being startled. Literal words are transparent but the fixed exclamatory use and the degree of fright expressed is idiomatic.