Season 1 · Episode 7
Red Queen
Jon and Antonia get back together. The Queen and her squire have little time left and must go to underground tunnels riddled with traps and bombs. Sandra and Ezequiel are waiting for them and the lives of Jorge and Carla are at stake. But Antonia knows this is not over. Sandra is not who she says she is, but just a prophet of someone more powerful who already destroyed what Antonia loved most.

Extremely common in casual speech and largely stripped of its literal sexual meaning. Tone shifts entirely with intonation: it can express frustration, disbelief, affection, or even admiration. Its frequency here is typical of informal, high-stress dialogue.
Appears in fixed phrases like 'me importa tres cojones' (I couldn't care less) and as a standalone exclamation. The literal anatomical meaning is almost irrelevant in idiomatic use.
A Basque word used as an affectionate address for one's mother. Used in the same slots as 'mamá' or 'ama' in everyday speech by Basque-speaking or Basque-origin characters. 'Ama' also appears as a shorter form in the same context.
A filler/discourse marker used to introduce a statement, buy thinking time, or signal mild skepticism or a challenge. Not the same as literally 'to see'; the meaning is entirely pragmatic and context-driven.
Literally 'to be sown/planted'. Used to describe a place or situation that is packed or riddled with something, often problems or dangers. Can also describe a person performing exceptionally well.
A sarcastic exclamation, roughly equivalent to 'no kidding' or 'well, duh'. Expresses that something is completely unsurprising or that the speaker finds the situation ridiculous.
A playful, informal acknowledgment that the other person made a clever or apt observation. Diminutive of 'punto' (point), often used affectionately between friends.